The following takes place between the hours of 5 A.M. and 6 A.M. Pacific Daylight Time
5:01:01 A.M. PDT
Atwater Village, Los Angeles
Jack Bauer gazed at Utopia, or so the sign proclaimed. But beyond the vacant security gate and tattered chain link fence, Bauer saw only an expanse of pitted asphalt abutting an interconnected cluster of ugly, graffiti-stained concrete block buildings.
Squinting through a telescopic imager, Jack scanned the shuttered loading docks and steel doors, the windows boarded up tight. He double-checked one particular entrance, with the number 9 painted on its flat steel door. Then he tucked the tiny device into a sheath on his night-black assault suit. Now that the sun was creeping above the horizon, he no longer required the imager's thermal or light-enhancing capabilities to pierce the gloom.
Sprawled on his belly atop a rocky brown rise that separated Utopia from another dusty industrial park, Jack lowered his head behind a clump of scrub-grass and adjusted the assault rifle in the Velcro zip holster strapped across his back. He had arrived at his position hours before, moving into place along with five members of Chet Blackburn's CTU assault team, now scattered and invisible among the rocks and low hills around him. Though Jack could not see them, he knew another tactical squad from the Drug Enforcement Agency lurked in the bluffs on the opposite side of the complex. When the signal came, the two assault teams would converge on the buildings in a coordinated two-pronged attack.
In the dead of the hot dry night, the tactical units had converged to surround the supposedly abandoned production studio, unseen and undetected by those inside. Then they waited until the sun was a hot yellow ball surrounded by hazy dust, until the arrival of the big fish both agencies were hoping to scoop up in their net.
Jack shifted position, clenching and unclenching his sweaty hands, stretching his sleepy arms and legs, always careful not to expose his position. He moved a stone that had been chafing him, rubbed his sore neck. Compared to his days as a member of Delta Force, this was not a particularly unpleasant mission. In the line of duty Jack had experienced far worse things than watching the Southern California sun rise from a quiet bluff. Perhaps it was merely his age that made his joints ache, his muscles stiff from inactivity. Perhaps creeping old age also explained why, as zero hour approached, Jack felt an uncharacteristic edginess, an impatience as he waited for the signal to move.
Or perhaps it was the fact that Jack Bauer had to wait for that command, just like everyone else. Working in tandem with the DEA was not part of Bauer's job description, nor did he appreciate taking orders from others. That's why, when Ryan first handed him this assignment weeks ago, Jack refused it. Chappelle didn't seemed surprised by Bauer's reaction; rather he advised Jack to look first, then decide.
"Go to the briefing this afternoon," Ryan said. "Listen to what the DEA has to say. It may change your mind."
To Jack's surprise, his mind was changed after the DEA briefed him and other select members of the intelligence community about the dangers of Karma, a potent new drug poised to hit the streets of America, a narcotic that had the potential to make the crack epidemic of the 1980s look like an ice cream party.
According to researchers who studied a sample of this substance, Karma was a type of super methamphetamine. But Karma wasn't merely a powerful stimulant. The drug also induced a sense of invulnerability and euphoria in the user, sometimes accompanied by mild hallucinogenic reactions....
